The Falling Man Projects
About Jeroen Zwaap
About Jeroen Zwaap
In several projects the artist deals with the impact and implications of having seen Richard Drew's 'Falling Man' image as he tries to answer questions like: why is this picture such a strong resonating one? How did this image shape the view on the American trauma? What are the moral implications of watching a man falling to his death?
"Although I cannot exactly remember what I felt when I saw the image of The Falling Man by Richard Drew for the first time, I can imagine what I felt. I can imagine that I saw the human vulnerability in the most intimate of moments in a human life. The grace of it. The calmness aimed head-down towards the inevitable. I must have seen the juxtaposition between the graceful fall and the horrific timeline that lead to this fall. I think I did not understand the power of photography yet (do I today?), but I must have seen how time had been suspended and created an aura, or maybe even a protective shield, of timelessness around the person.
And although there are no recognizable facial features, I would’ve recognized myself in this person. I would have asked myself: what would I feel, what would I do?
​
In several projects the artist deals with the impact and implications of having seen Richard Drew's 'Falling Man' image as he tries to answer questions like: why is this picture such a strong resonating one? How did this image shape the view on the American trauma? What are the moral implications of watching a man falling to his death?
"Although I cannot exactly remember what I felt when I saw the image of The Falling Man by Richard Drew for the first time, I can imagine what I felt. I can imagine that I saw the human vulnerability in the most intimate of moments in a human life. The grace of it. The calmness aimed head-down towards the inevitable. I must have seen the juxtaposition between the graceful fall and the horrific timeline that lead to this fall. I think I did not understand the power of photography yet (do I today?), but I must have seen how time had been suspended and created an aura, or maybe even a protective shield, of timelessness around the person.
And although there are no recognizable facial features, I would’ve recognized myself in this person. I would have asked myself: what would I feel, what would I do?
​
In several projects the artist deals with the impact and implications of having seen Richard Drew's 'Falling Man' image as he tries to answer questions like: why is this picture such a strong resonating one? How did this image shape the view on the American trauma? What are the moral implications of watching a man falling to his death?
"Although I cannot exactly remember what I felt when I saw the image of The Falling Man by Richard Drew for the first time, I can imagine what I felt. I can imagine that I saw the human vulnerability in the most intimate of moments in a human life. The grace of it. The calmness aimed head-down towards the inevitable. I must have seen the juxtaposition between the graceful fall and the horrific timeline that lead to this fall. I think I did not understand the power of photography yet (do I today?), but I must have seen how time had been suspended and created an aura, or maybe even a protective shield, of timelessness around the person.
And although there are no recognizable facial features, I would’ve recognized myself in this person. I would have asked myself: what would I feel, what would I do?
​
In several projects the artist deals with the impact and implications of having seen Richard Drew's 'Falling Man' image as he tries to answer questions like: why is this picture such a strong resonating one? How did this image shape the view on the American trauma? What are the moral implications of watching a man falling to his death?
"Although I cannot exactly remember what I felt when I saw the image of The Falling Man by Richard Drew for the first time, I can imagine what I felt. I can imagine that I saw the human vulnerability in the most intimate of moments in a human life. The grace of it. The calmness aimed head-down towards the inevitable. I must have seen the juxtaposition between the graceful fall and the horrific timeline that lead to this fall. I think I did not understand the power of photography yet (do I today?), but I must have seen how time had been suspended and created an aura, or maybe even a protective shield, of timelessness around the person.
And although there are no recognizable facial features, I would’ve recognized myself in this person. I would have asked myself: what would I feel, what would I do?
​
In several projects the artist deals with the impact and implications of having seen Richard Drew's 'Falling Man' image as he tries to answer questions like: why is this picture such a strong resonating one? How did this image shape the view on the American trauma? What are the moral implications of watching a man falling to his death?
"Although I cannot exactly remember what I felt when I saw the image of The Falling Man by Richard Drew for the first time, I can imagine what I felt. I can imagine that I saw the human vulnerability in the most intimate of moments in a human life. The grace of it. The calmness aimed head-down towards the inevitable. I must have seen the juxtaposition between the graceful fall and the horrific timeline that lead to this fall. I think I did not understand the power of photography yet (do I today?), but I must have seen how time had been suspended and created an aura, or maybe even a protective shield, of timelessness around the person.
And although there are no recognizable facial features, I would’ve recognized myself in this person. I would have asked myself: what would I feel, what would I do?
​
In several projects the artist deals with the impact and implications of having seen Richard Drew's 'Falling Man' image as he tries to answer questions like: why is this picture such a strong resonating one? How did this image shape the view on the American trauma? What are the moral implications of watching a man falling to his death?
"Although I cannot exactly remember what I felt when I saw the image of The Falling Man by Richard Drew for the first time, I can imagine what I felt. I can imagine that I saw the human vulnerability in the most intimate of moments in a human life. The grace of it. The calmness aimed head-down towards the inevitable. I must have seen the juxtaposition between the graceful fall and the horrific timeline that lead to this fall. I think I did not understand the power of photography yet (do I today?), but I must have seen how time had been suspended and created an aura, or maybe even a protective shield, of timelessness around the person.
And although there are no recognizable facial features, I would’ve recognized myself in this person. I would have asked myself: what would I feel, what would I do?
​
Google Landscapes (ongoing)
2021
This project is a start of exploring the rendered landscape. How does a machine perceive space, how does it represent it. The uncanniness, the materiality, the digital artifacts, the erasement of human activity (being seen as mistakes?), a fascinating walk through a landscape that is both familiar and alienating at the same time. Under we see a walk through het Amsterdamse Bos (Amsterdam forrest). With an soundscape I created for this.